Thursday, August 25, 2016

A Wild West Murder Mystery

One of the best bits of advice to Fringe goers, see here, is to talk to people around you as you queue for various performances. Now, I've never been slow in coming forward in this regard anyway, but when the woman standing in front of me in a queue a few days ago had a big button on her rucksack which said, "Ask me about Ginger Creek," I did just that.

To cut a long story short, she was from New York and the director of a 'family show', called 'Mystery at Ginger Creek'. Good salesman too, of a performance suitable for 7 years of age and up, and I (big kid that I am) duly turned up at the show. Lots of interaction with the audience. Which was just great fun.

Personally I thought Sally Silver Gunz was the murderer, but it seems I'm not much of a detective!

Mystery at Ginger Creek is produced by the Panto-WHAT?! Theatre Company, see here, and was written by Michael Curtin and Ruthie Scarpino, who was also on the stage.

Here are the main protagonists. Left is Emilie Deschamps - the director and 'lighting guru'. Centre is Gabriel Spector who played Hank, the Colonel and Drusilla. Right is Ruthie Scarpino who played Sally, Ms Ketch and Igor (you had to be there!). Great talent, and the two actors were just wonderful with the kids, two of whom, sisters, in the audience were the stars of the show too!

The whole idea of family shows at the Fringe is something I had not considered before, but 'Mystery at Ginger Creek' shows that great family entertainment is available if you know where to look. 

Serious drums today! Kensaku Satu is considered one of the greatest exponents of Japanese drumming, and his show was a solo masterclass. It was wonderful to experience - from Sakiwai (meaning felicity) played on the O'Daiko (the big drum) with a tree trunk (!), through a variety of different drums and styles, finishing again on the O'Daiko in a performance which, if you shut your eyes, you would think that there were rather more than one artist on stage!

Definitely an hour for the taiko fan, although I suspect that others might find a group show (such as Hibiki, my personal favourites) more accessible.

Kensaku Satou says, "The beat of Japanese drums unites the people in the world beyond the language communication." True, so true!

This all male a cappella group from Exeter University was my 'an hour to spare, what's on' pick, and was a brilliant choice. I sometimes miss my students - young people have such enthusiasm. And talent. Exeter doesn't do music degrees, so Semi-Toned are all students of different things - I talked to a student of archaeology, a biologist and a mathematician. The twelve guys provided great entertainment as they spanned the decades with their choice of music to sing.

Their version of Fleetwood Mac's 'The Chain' was a masterpiece! And what good ambassadors for the University.

I don't want this year's Fringe to finish!

More to come ......

Wednesday, August 24, 2016

Back in the Box

So, having had a few days to recover, I caught the early train back up to Edinburgh yesterday for more Fringe adventures! It turned into a good day. I saw four shows, all very different, and all excellent.

First up was another in the Korean season, Binari.

Early off the train, I bumped into two of the performers out on the street promoting the show. It was great to be able to say, "I'll see you in the theatre in a short while!"

I knew it was going to be a Korean mask play with 'shamanic exorcism where unhappy souls are entertained and are finally able to leave the world'. I thought it might be a bit dark. It was anything but. Song, dance, drum, and even lots of humour - I was reminded of the various theatre performances I went to see when I was living in South East Asia. Always, there were comedy interludes in even the most serious and traditional stories. Binari was great. It was a charming way to start my day.

I've seen four shows in the Korean season. All were different, and all really enjoyable.

Then it was a return to the little performance space, the Box, where I had my best theatre experience last year, see here.

Now, I have to admit that it had not been my original intention to go to see Octopus. But I had kept the flyer in my bag (rather crumpled as you can see) because it had come with a free bag of crisps as an incentive! (There's probably advice out there that says 'Never accept crisps from a stranger', but I did check over the pack carefully and the sell-by date. And they were very tasty.) So, suitably bribed, I made my way to the small, hot venue to join a full house (how many bodies can you fit into a container?) to see three women act out an 'anarchic satire' written by Afsaneh Gray.

It is about what it means to be British. The women have been called to an interview to ascertain if they qualify for benefits. Sara 'looks kind of Asian'. Scheherazade looks Middle Eastern. And Sarah is 'kind of white'.

I was sitting beside a visitor from New York. I'm not sure if she would have caught the subtlety of all the political references, and she must have wondered just what I was guffawing at. Very funny at times. It was extremely well acted, and definitely thought provoking. You don't need to be bribed by packets of crisps to go and see, and enjoy, this performance. Full marks.

So, that was me batting two from two for the day. What next?

Time for coffee. One of the best free shows in Edinburgh is to sit with the hot beverage of your choice anywhere around the University area and watch those trying to distribute flyers for their own performances. Gimmicks abound. I've already mentioned the crisps. This couple had their own innovative way of catching attention!

For me, it was a hunt for a venue I'd not been in before. Venue 45 is in a church in Jeffrey Street, surrounded by lots of building work, just along from the south entrance to Waverley Station. I knew I had found the right place when I saw these young Japanese performers waiting to get access to the space for their show.

More drums! I had heard that UTO was an amateur group, but there was nothing 'amateur' about this performance. It was thrilling. Youthful energy and wonderful skill. The ten strong group are from Uto city in Kumamoto prefecture. A loud, exciting performance with flutes too, cymbals, the biggest gong I've ever seen on stage, and a strapping lad, clad only in a loin cloth, beating a sweat session on the biggest of the taiko. (You had to be there!) Wonderful stuff - a different type of performance than that on offer by Hibiki and Drum Ikki elsewhere on the Fringe.

Here's the group afterwards.

Right then, three from three. I had time for one more show before catching the train home.

This was special. Fourth Monkey's production of 'The Ark' was the great theatre I've been struggling to find this year. It is one of a series of shows by the company at Venue 9, theSpace@Niddry Street.

The show tackles the modern day refugee crisis with those fleeing Africa across the Mediterranean to Europe. The performance switches amongst three groups of actors, the people traffickers in Libya in this instance, the refugees themselves, and a group of EU commissioners. The performance does not hold back on satirical condemnation of these last. Very funny, and very well acted!

There are very moving scenes depicting the journey of those fleeing their homes, and their reasons for so doing. I'll not spoil it by giving details. You have to see it.

Great theatre should be memorable. This was. I certainly will not read newspaper stories or watch television reports of the refugee crisis again without thinking of 'The Ark'.  A powerful theatre performance which was absolutely first class.

First Monkey Theatre Company's website is here, if you want to find out more about them, and an article about how 'The Ark' performance was put together is here. There's only a few more days to catch the show, 6.20pm until the 27th.

Four from four. Days at the Fringe don't get better than this!

Images from flyers, and photos © Skip Cottage

Sunday, August 21, 2016

Edinburgh Days

I'm going to get these two bits of wood framed, as a souvenir of my two weeks 'holiday' in August 2016, with several days at the Edinburgh Festival and Fringe. My 'batting average' of enjoyable shows was excellent early on, but was too good to last. And once you've been to two back-to-back shows that have not been very good, the remedy is to go and see, for the second time, a show you've enjoyed before.

Hibiki's Super-cussion (at Venue 43, theSpace@Symposium Hall until the 27th at 2pm each day) I could enjoy many times over. See my previous post here. Do go and see them if you can. The top pic is a broken taiko bachi (a drum stick). They don't make trees like they used to! A wonderful memory of Edinburgh 2016. I saw it happen. The performer (Hironobu, I think) barely missed a beat as he grabbed a replacement!

And I've now got the full set! Great fun.

I got up early one morning to be sure of seeing Elsa Jean McTaggart's morning show, and that was a lovely way to start a day. Elsa has two different shows each day until the 27th, at 11.50am and 7.30pm, both now in the same venue: theSpace@Symposium Hall, in Hill Square, Venue 43.

My 'find' of the Fringe was Countermeasure, a Canadian a capella group like no other. I went back to see them again, and enjoyed the second time even more than the first, partially because I didn't have to take part again! Their run has finished and the group should now be in Italy at a festival there. I hope our paths will cross again. A credit to Toronto, and Canada! I found this promotional video.

 
I have gained an admiration for those who 'flyer' their shows, which must be a thankless task, but is a vital marketing strategy. It is only this year that I've discovered that many of those who I've stopped to talk to about their show, are actually the performers.

It is a lovely thing when one is approached, to be able to take the ticket out of your pocket and say, "I'm just on the way to see your show!" Or better, "I saw your show the other night, and it was great!"

On the other hand, I have had to kick myself a couple of times when shows that I've looked forward to going to see have reached the end of their run before I was able to get to them!

I came across a couple of visitors with cameras pointed upwards. It took me a little while to appreciate that they were fascinated by this strange, rare, meteorological phenomenon. Yes, a Scottish blue sky, with nary a cloud in sight.

Next day, the rain was belting down, and the outside tables looked a bit forlorn!

Still, I've enjoyed the two weeks. I took the car up on a number of days, so that I could see evening shows. It's something I haven't done often, as the train is so convenient. I have learned about Edinburgh's various park and ride schemes, and have obtained good value from my National Entitlement Card, aka my bus pass. Lothian buses are wonderful!

One show that should get an 'honourable mention' from me is Joe Stilgoe's 'Songs on Film' at Assmbly Checkpoint, of an evening. That I did enjoy. See Joe's website here.

I had not intended that my Edinburgh adventures would last longer than two weeks. But many Fringe shows have another week to run. There are more drums to experience, and I've yet to find some good theatre to enjoy. Maybe I'll manage another couple of days in the big city this coming week!

Pics © Skip Cottage

Tuesday, August 16, 2016

Two disappointments, but the day saved by Canada!

I had been batting very well at the Fringe and Festival. Twelve great performances. But yesterday I saw my first 'not very good' show. Now, I don't blog about shows I've not enjoyed. I did wonder what I might have said had I been working, and had needed to file something. I might have said, "The backing musicians were very good." Or "This musical tribute made me want to download some of the original artist's music." If I had intended to speak my mind fully, I would have said, "It was a lovely day in Edinburgh yesterday, and I should have just stayed sunbathing in the Gardens." I should have. It is always disappointing when a performance that you hope is going to be good, turns out not to be - in my opinion, of course.

The second of yesterday's disappointments was when I went to book a ticket for what was to be my birthday treat to myself. I thought to be well organised and make sure I had a ticket in my hand for a later night at the Assembly Roxy, where the Havana Ballet's 'The Cuban Gypsy' was going to be top class, I was sure. Except .... the company had failed to reach Edinburgh, for whatever reason, and all performances have been cancelled! Ah well.

So I was strolling along, wondering what had happened in the Universe for the Earth to be revolving around the Sun faster and faster. Recent years have passed so quickly! This next birthday has come round too soon. I was passing Venue 38, Space Triplex, when I was 'accosted' in the nicest possible way, "Would I like to see some talented Canadian singers?" And why not.

I found myself in the queue with a group of former Glasgow University Alumni, who, when we were ushered into the hall, left a seat for me, front row, right in the middle! This turned out to be significant. The performance: 'Countermeasure: 14 Characters'.

I was promised 'Genre-defying versions of jazz and pop favourites, powerful originals, stunning harmonies, dramatic staging'! And as the show got underway, I found myself really enjoying it all.

It was at that point that the mistake of sitting in the middle of the front row, with a big smile on my face, became apparent. The compere decided to find out the names of some of the audience, and what they did for a living. Not a problem. I'm retired now of course, and I've done a few different things in my life. So when asked what I used to do, I mentioned that I had been Editor of the Scottish Curler magazine. Countermeasure being a Canadian group, that identified with some of the cast, curling (arguably) the country's national sport!

That should have been it, but no. A few minutes later, with a couple of other members of the audience, I was making my Edinburgh Fringe debut. I was taken by hand out of my seat, to a chair at the back of the stage and told to "Sit there, I'll be back to get you later!" I have to say that in all my adult years, that's never been said to me by a beautiful woman. But I digress again.

My Fringe debut involved some dancing to samba rhythms, shaking my rear end, and a conga round the stage. At least I wasn't asked to sing!

I trust no live footage or photographs of my 'performance' exist. It was not pretty.

Of course, the programme was not finished. The group sang to accompany clips from the wonderful 'Runaway', a National Film Board of Canada animated short by Cordell Barker, and that appealed to my love of trains!

The penultimate song was trailed as a Scottish tribute, a traditional love song. And we got a version of the Proclaimers '500 miles'. Absolutely brilliant, especially when it morphed to the 'metric version'!

Exit theatre, big smile on my face! Well done Canada. Countermeasure have only a few more shows in Edinburgh - the last is on the 20th - before they are off to Italy for a week at another festival. Go see them if you can. I promise that I won't be on the stage next time!

If you can't get to see them live, Countermeasure's website is here, with lots to explore.

Countermeasure images are from the group's flyer and a CD. The middle image is a screenshot from 'Runaway'. Watch the whole film here

Monday, August 15, 2016

Natalia Osipova

Yesterday afternoon I was having an enjoyable time with some old friends at a BBQ in Glasgow (thanks Leslie), but I bailed out early and headed across to Edinburgh. I had a ticket for the above performance at the 'real' Festival.

Now, last year, one of my disappointing experiences over a number of visits to Edinburgh had been an evening at an International Festival performance. A visiting company, big money production, expensive ticket, yet it had not given me anything like the same enjoyment as many of the Fringe events I had seen. Ever the pessimist, I wondered as I drove along the M8 yesterday, whether I should just have stayed in Glasgow. Would the evening at the Festival Theatre be worth the effort?

I had bought the ticket as soon as the Festival programme had come out. The opportunity to see one of the world's best dancers - in a contemporary dance production - seemed too good to miss. And the very fact that I'm blogging about it today means that it was a great night, one I am so glad to have experienced.

Bear with me, I have to tell you a bit about it!

Natalia Osipova is a Russian ballerina, once Principal with the Bolshoi, and, since 2013, with the Royal Ballet where she has starred in many productions. Last night though was a Sadler's Wells production to showcase Osipova's talent in contemporary dance. There were three pieces by different choreographers.

The first piece was called 'Run Mary Run'. I found the photo above in this positive review by Kelly Apter in the Scotsman, here. You can find lots of photos of Natalia online.

The story of 'Run Mary Run' was a simple one, easy to follow, and exquisitely danced. It did help that I was in the front row and almost in the performance!

The director/choreographer was Arthur Pita, whose inspiration for the piece came from listening to Shangri-Las songs from the 1960s.

As a youngster myself back then I probably didn't really appreciate the significance of the various teenage tragedy songs, or 'death discs' as they were called, that appeared in the charts of the time. Think 'Tell Laura I love her' (here, the 1960 Ricky Valance version); 'Teen Angel' (here) by Mark Dinning from 1960; and of course the Shangri-Las 1964 hit 'Leader of the Pack, here, all with the authentic scratches of old vinyl.

 ('Billy don't be a hero' by Paper Lace, here, came later in 1974 and was one of my favourites, and can be considered as another example of a 'splatter platter'! But I digress.)

Steering clear of 'Leader of the Pack', Pita worked 'Past, Present and Future', 'Remember (Walking in the Sand)', 'Give Us Your Blessing', 'Give Him a Great Big Kiss'', and 'Dressed in Black', all by the Shangri-Las, into the score, as well as other appropriate tracks, such as 'Walkin' Along' by the Crystals. (Look them up on YouTube, and Mary Weiss has her website here.)

As the programme notes say, 'Run Mary Run' was 'a doomed love tale, an obsessively possessive relationship, with some sex drugs and rock 'n' roll!' Indeed, there was a warning posted on the auditorium doors: 'This performance contains adult themes'. Splendid stuff.

In 'Run Mary Run', Natalia was partnered by Sergei Polunin, another of the world's great dancers. In the third of yesterday's performances 'Silent Echo', with Russell Maliphant the choreographer, the two occupied the stage separately and together in a mesmerising performance to specially composed music by Scanner, with Sergei's solo danced to 'Trouble in Paradise' by James Lavelle.

The second performance was Sidi Larbi Cherkaoui's 'Qutb', an Arabic word meaning 'axis' or 'pivot'. Natalia danced with Jason Kittelberger and James O'Hara, to a wonderful score and an amazing backdrop of a red sun in an eclipse. Completely captivating, and, of the three performances, the audience's favourite. 

Natalia and Sergei are partners off the stage too. This lovely pic is from this fan's tribute website.

Some in the packed out theatre who were expecting more of a classical ballet performance might have been disappointed, but those who appreciate contemporary dance would have been ecstatic - I know I was! August in Edinburgh continues to be a great success so far. Let's hope it continues!

Photo credits as indicated.

Saturday, August 13, 2016

Shakespeare for Breakfast

My reason for being in Edinburgh yesterday was to continue some curling history research at the National Library of Scotland, above. It's a place I know quite well, with its helpful staff. The results of that research should be on another blog, in the not too distant future.

So it was the early train out of Lockerbie, and, it being Fringe season, I headed first for C Venue 34 on Chambers Street on the off chance there might be a single ticket for Shakespeare for Breakfast at 10.00. Yes, the free coffee and croissant was an added attraction.

But sadly, the show was sold out, and no tickets were available at the box office ...

... but wait! A woman had handed back one ticket, because her friend had been unable to attend. And I was given this, for free!

So I did get my coffee and croissant, and watched a wonderful 'adaptation' of A Midsummer Night's Dream. There should have been a health warning. I'm sure it is not natural to laugh so much that early in a morning! The offering was from C Theatre, the in-house company at the C Venues, and Shakespeare for Breakfast has been a Fringe favourite before. The stars this year were Roseanna Connolly, Johnathan Davenport, Emily Jane Kerr, Laura B Mortemore, and Noah Young, ably assisted by a feather ferret and three members of the audience.

Great fun! And a special thank you to the kind person who allowed me to have the spare ticket. The show's on until the end of the festival, and I recommend it highly, if you can get in.

But then it was back to work in the library. Hopefully, after such a good start, it would be a good day.

And it was. My 'work' done fairly quickly, I had time to explore the 'You Are Here' maps exhibition at the library. Now, I use the NLS maps website a lot, and this is a wonderful resource. But it was wonderful to see the display of 'real' maps and other items from the NLS collection. The Library's maps' collection is one of the largest in the world, and at Edinburgh they are rightly proud of this. The exhibition content is outlined here.

This runs until next April, and I'll certainly be back to visit again.

And it is International Map Year, see here.

How would the rest of the day pan out?

No, not a RMT protest, but an advert for a musical. A possibility for a future visit, perhaps.

I ran the gauntlet of those touting for business. These two had made the effort. Great sax.

I came away with a bundle of flyers to sort through, and I've already identified more shows that I think I will enjoy.

It is difficult to know what to go to, with so many performances on offer. Fine if you have favourite 'must see' things to head for, but daunting to pick out the good from the 'not so good' in the official programme. I caught this couple trying to make decisions on what to see, sitting on a wall outside the National Museum of Scotland, on their first day in Edinburgh!

I hope their Fringe experiences turned out well.

One way of doing it, is to have a favourite venue, and concentrate on what's on there. My favourite place is thespace@Symposium Hall, in Hill Square. It has the most comfortable seats of any venue in the city, that's the first thing to say!

I had bumped into Dr Phil Hammond putting out flyers for his own shows, and at Bookends' Simon and Garfunkel tribute, I was sitting just behind him. He seemed a really nice guy, and so I bought a ticket for Life and Death (But Mainly Death). This was my 'I've an hour to spare, what's on' pick yesterday.

What an interesting hour! It was much of Dr Phil's family photographs, and his life story, and that of friends and family, with much humour involved. But there was lots to contemplate. "Can we live and die with pleasure, purpose, compassion and modest medical interference?"

This was a talk that was very clever, funny, yet moving. As an NHS doctor working in the field of chronic fatigue, he knows what he's talking about. As next week I enter my 70th year, I took away much from his show. I think I've become a Dr Phil fan. I wonder now if I can fit in his late night show about the NHS? I bet that's good too.

His two shows run until August 27 at Venue 43.

Going to back-to-back shows is not necessarily the best thing to do, but I did want to see Dan Clews' 'The James Taylor Story'. Same venue, so it was exit Dr Phil, join the queue, and then find a seat in the auditorium again.

Now, it wasn't until the 1980s that a work colleague gave me a cassette tape (remember these?) of James Taylor's music. So I was a late starter. This tribute to the singer was absolutely delightful, with the story of the ups and downs of Taylor's life told using slides on the big screen, with Dan playing the hits. I loved it, and so did the audience!

Dan Clews' website is here. The run of this show will have ended by the time you are reading this. He hadn't been sure how it would go down at the Fringe, and so went for just a few dates. Hopefully this year's success will tempt him back again for a longer run next time.

So, a day without drums?

Don't believe it.

There was just time yesterday for me to see Samurai Drum IKKI again. 2016 is their fourth year in Edinburgh, and so the three women and their 'master' have built up quite a following. It was a sell out performance.

IKKI's performance is Japanese drumming at its most spectacular - colourful, technically brilliant, and fast, some might say frenetic!

I enjoyed the performance - this was the fifth time I've seen the group over the years. For a taster of the performance, here's a YouTube clip. They are spectacular. They work hard to promote their show, and deserve their success.

But whisper it, HIBIKI (here) are still my favourites!

I caught the train home, happy after a full, busy day. The last train out of Waverley for Lockerbie leaves at 8.15 pm. So the timetable ensures that oldies like me get to bed early, or in yesterday's case, got me home in time to watch the Olympic cycling team pursuit final. Magic stuff!

Photos © Skip Cottage

Wednesday, August 10, 2016

Fringe Variety

There's a big Korean presence at the Edinburgh Fringe this year. Encouraged by seeing, and enjoying, Tago last Friday (here), I planned to take in another of the various offerings from that country on yesterday's day out.

My day had begun by seeing Hibiki again, see here.  That was so good, that it was going to be difficult for the rest of the day to match up to such a high start.

But I bought a ticket for 'Chef', not that you can tell much of what it might be about from the poster, above, seen in various places about town.

The performance was in the University of Edinburgh lecture theatre venue in George Square, a big auditorium - and it was a sell out! Word gets around quickly when something is good. And it was that.

Hard to describe what it was about. Think gangnam style meets ready steady cook, and pantomime and old time variety meet beatboxing and breakdancing. Throw in some audience involvement and you've got the idea. Great fun!

Some of the talented performers relax afterwards. Who knew that Koreans had such a fabulous sense of humour.

I'm not a great one for selfies with celebrities. But here I am with 'Sexy Chef'!

Moving on ....

Yesterday's 'nourishment' was a Malaysian curry from 'Umami Spice Girl'. Best I've tasted outside of Southeast Asia. Yummy street food in Edinburgh - who knew! My first stop on future visits to the big city this month, that's for sure.

My 'I've got an hour to spare, what's on?' pot luck of the day, was this show by Elsa Jean McTaggart, promoting a new CD, 'Lassie Will Ye Go'.

The flyer says, "If Folk Music is Your Thing." Well it used to be ... back in the 1960s when I was a student. Recently, not so much. I confess I'd never heard of Elsa Jean McTaggart. But I have now, and she's great! What an enjoyable hour.

Accompanied on stage by her husband, she began with 'The Birks of Aberfeldy'. I learned that she went to school in the town, moved away to hone musical skills in Ireland and elsewhere, and has recently returned to Scotland, and was excited to be back 'home'.

A version of 'MacPherson's Rant' brought back the memories. A great Corrie's favourite, see here, Elsa Jean's take on this old song was captivating. And nostalgic for me, although Venue 43, a little lecture theatre in the College of Surgeons building, was a far cry from the beer soaked atmosphere of the Glasgow Folk Club back in the years when performers were seen (barely) though the thick fug of cigarette smoke.

Her new material was great too, and that too has persuaded me to pay more attention to folk music again. More about this talented multi-instrumentalist here and here. I really loved her fiddle playing.

This show 'Simon and Garfunkel: Through the Years' was a recommendation from someone I met at lunchtime. Bookends are a tribute act - a tribute to the music of Simon and Garfunkel as Dan Haynes and Pete Richards themselves make the point that they don't look at bit like the originals! They have played five performances at Fringe 2016, every one a sellout.

And I now know why. This was a delightful hour. The show took us through Paul Simon and Art Garfunkel's story. Making good use of the huge screen above the stage, it was like a musical PowerPoint presentation! All the big hits were there. I loved it!

I had a shiver down my spine and a tear in my eye when the first notes of 'Bridge Over Troubled Water' rang out. Not just because it is a such a beautiful song, but because the screen text showed that it is more than forty-six years since the song became No 1 on the UK chart, the album staying in the charts for 300 weeks, see here. Forty-six years! Seems like yesterday, where have the years gone?

Bookends' website is here.

'The Boxer' was ringing in my ears as I left the venue to head home. 

...  In his anger and his shame
“I am leaving, I am leaving”
But the fighter still remains
Lie-la-lie . . .

Talk about earworms. I 'lie-la-lie'd all the way back on the bus to my car at the Park and Ride and, having bought one of Bookends' CDs (above), I had a most enjoyable drive home listening to it. The short one hour performance at the Fringe could only contain part of Bookends' full repertoire. The pair do a full stage show and will be at the Edinburgh Festival Theatre on January 27, 2017. A date for the diary, perhaps?

Postscript: Riding the Lothian Bus No 25 last night, I could not help but notice how many people thanked the bus driver as they got off. These guys do a difficult job well, especially at Festival time, and it was great to see people appreciating this. Me too.

What a day it was. Four great shows. I'm batting seven from seven at the Fringe this year. Maybe I should stop now.